WORKS ON PAPER
1966 - 1999
During the 1970’s and 80’s, I made many collages from tape and painted elements which are included here. Also included are some paintings on paper from the 1970’s and some drawings from the 1960’s. The paintings on paper, transitional works, are the last non-objective action paintings that I would make before changing my approach to painting.
COLLAGES WITH PAPER TAPE
In 1975, my point of view about the way I make a painting changed and I began to work with systems. I utilized tape to block off horizontal areas of my paintings while I painted and dripped on the canvas. I was a able to save many of these beautiful tapes and use them in collages.
COLLAGES WITH HORIZONTAL BANDS
COLLAGES WITH HORIZONTAL AND VERTICAL BANDS
COLLAGES WITH BORDERS AND FRAMES
In the late i980’s , I was involved with making paintings with centers, borders. and frames. Pattern and repetition are important elements. My paintings were influenced by these collages which are made from specialty papers and painted elements.
COLLAGES WITH DIGITAL PRINTS
In the late 1990’s, computer technology had advanced enough that digital color printing was available to everyone. I could create, repeat, or reproduce a digital image on canvas that went through my printer. Working in layers, I translated images into paintings that incorporated repeats. In some pieces, I combined printing on canvas as a collage element within the painting
During this period, I wrote some proposals for mosaic murals to be installed on Subway Stations. I began to think in terms of units and made many digital prints for this proposal. This prompted me to use these images in my paintings. The compositions are based on a single unit of a computer generated image. At this time, it was only possible to create images that were small - few pixels. The lines in the digital prints appear pixelated - like the stroke of a paint brush. This worked for me.
I made several collages using digital prints in repetition. They are comparable to working drawings and are not finished pieces. At the same time, my paintings were echoing this interest and were painted versions of some of these collages. I called them repeats. Both the paintings, collages and single units are included here.
PAINTINGS ON PAPER
In the early 1970’s we moved to Greene Street and I began to work in the studio where I still work today. I made the transition from oil paint to acrylic paint. I made many of these paintings on paper to learn that I was no longer interested in making space. I was only interested in the action of painting - dripping, scribbling, and mark making. I made transitional paintings but by 1975, I was firmly committed to composing with a system and my work changed.
EARLY DRAWINGS
These are some of the drawings that motivated my early abstract expressionist paintings.